Site Map
Home
What's On
Courses
Recordings
Join our Mailing List
News
- Strauss, Stravinsky and Steve Reich: announcing our 2026 autumn season of events
- Royal Academy of Music announces 2026 honours
- Stephen Fitzpatrick announced as Head of Harp at the Academy
- Royal Academy of Music announces Bjarte Eike as a Visiting Professor
- Major competition successes for Academy students
- Timothy Ridout and Ruth Gibson announced as Viola Professors
- Meet Harrison Chau and Bonnie Scott
- Academy student wins Gold Medal at the ROSL Annual Music Competition
- International collaborations at the Academy
- Applications open for the Academy’s Glover-Edwards Programme
Departments
Pages
- Apply
-
Study
- The Academy and the Industry
- About Our Courses
- Exchanges and Studying Abroad
- Departments
- Student Life
- Spaces and Facilities
-
Our Staff and Teachers
- Accordion Staff
- Brass Staff
- Choral Conducting Staff
- Composition & Contemporary Music Staff
- Conducting Staff
- Ensemble Piano Staff
- Guitar Staff
- Harp Staff
- Historical Performance Staff
- Jazz Staff
- Junior Academy Staff
- Musical Theatre Staff
- Opera Staff
- Organ Staff
- Piano Staff
- Research Degrees Staff
- Research & Knowledge Exchange Staff
- Strings Staff
- Timpani & Percussion Staff
- Vocal Studies Staff
- Woodwind Staff
- Term Dates
- Guide to the Royal Academy of Music
- Glover-Edwards Conducting Programme
- Musical Theatre Company
- Alumni
- Museum and Collections
- Library
-
Research and Knowledge Exchange
- About Research at the Academy
- Research Strategy, Policy and Ethics
- Research Office
- Women and (Musical) Histories: Early Career Researcher Day
- Women and Musical Histories, 1789–1914
-
Staff Research Projects
- Baroque Flute Multiphonics
- Cello, Spatial Audio & Clectro Notation
- Co-creativity, Wellbeing and Dementia
- Composing Counterfactual Music History
- Composition and Art
- Distance Ensemble
- Early Music on the Piano
- Guitar Augmentations: Composition and Community
- John Cage in the Mid 1970s
- Playing A/Part
- Poem of Shadows
- Silent Film Improvisation
- Some Discourse of Musique
- The Gerry Mulligan 1950s Quartets
- The Guitar: Idiom & Collaboration
- Translating the Mélodie
- Unforgetting Justin Connolly
-
PhD Research Projects
- Innovative Approaches for Bass Doubling
- Caprice Reimagined
- Concert Conversations
- Documentary Song Cycles
- Engagement Enragement Enlargement
- Exploring Performative Coherence
- Forgotten Tones, Old Instruments, New Music
- Gender Studies in Violin Playing
- In Search of Poetic Understanding
- Manuel de Falla and Andalusia
- The Chamber Music of Mary Dickenson-Auner
- 'Opening' a Classic through Transcription
- Premiere as Ontology
- Quarter-Tone Accordion
- The Intervening Cellist
- Discovering the ‘Unconfined’ Hand
- Wanderings Beyond Schubert
-
MMus Research Projects
- A Dummies Guide to Brass Instruments
- Animated Music in Short Form Content
- Capturing Essence and Forming Interpretations
- Composing for Ensemble
- Composition, Creative Risk-Taking and Perceptions of Success
- Die Schöne Müllerin
- Expanded Self, Expanded Sound
- From Cello to Song
- I Due Pulcinelli
- ‘Live’ Electronics
- Little Boy Blue
- Portraits in Sound
- Recording Discoveries
- Severing Ligatures
- Solo Trumpet Compositions by Women
- Stringing Along the Limit
- The Audience Effect
- The Dancing Master
- The Ideal Partner
- Inner Life of the Cello
- Support Us
- About the Academy
- Environmental, Social and Governance
- Work with Us
- Visiting the Academy
- Hires
- Press and Media Enquiries
- Data Protection Policies and Privacy Notices
- Accessibility Statement
- Booking terms and conditions
- Terms and conditions
- Freedom of Information
- Policies and Procedures
- Contact Us
- Student and Staff Portal
- Junior Academy Financial Support
- This Week's Programme Details