Historical performance pioneer, Trevor Pinnock, conducts the Royal Academy of Music Ensemble in revealing chamber arrangements of Mahler’s most frequently performed symphony and Debussy’s Prelude a l'apres midi d'un faune, on its debut recording for Linn.

Arranged for Schoenberg’s 1918 Society for Private Musical Performances, these reductions were designed to highlight the fresh perspective a stripped-back orchestration could offer the listener.

With this recording, Trevor and the Academy launch a series of performances and recordings which are retrospectively reigniting Schoenberg’s vision of performing chamber reductions of symphonic repertoire, including newly commissioned arrangements for this series.

Trevor Pinnock is known worldwide as a harpsichordist and conductor who pioneered performance on historical instruments with his own orchestra, The English Concert.

The recording is produced by Professor Jonathan Freeman-Attwood, whose producing career has won him several awards including Diapasons d’Ors, eight Gramophone Awards and many further nominations.