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Hans Abrahamsen

Oliver Knussen Professor of Composition
Hans Abrahamsen looks to camera.

In a creative life of almost half a century, Hans Abrahamsen has more than once had the courage to stop, and the equal courage to start again – freshly, out of a clear reconsideration of where he was before

His allegiances are shown by the roll of composers whose works he has, as a master orchestrator, reconceived: Bach and Ligeti, Nielsen and Schumann, Schoenberg and Debussy. But he has long discovered his own terrain – quite often a snowscape, as in his early masterpiece Winternacht or the work in which he found his fully mature style, Schnee (2006-8), generally acknowledged one of the rare classics of the 21st century. Besides these two pieces for instrumental ensemble, his output includes four string quartets, a collection of 10 piano studies (some of which he has recomposed in other forms), concertos for piano, for piano and violin, and for piano left hand, and a monodrama for soprano and orchestra, let me tell you. He is currently at work on his first opera, after Hans Christian Andersen’s The Snow Queen.
© Paul Griffiths

Photo credit: Lars Skaaning

Highlights

Works include Winternacht and Schnee, and orchestrations of works by Bach and Ligeti, Nielsen and Schumann, Schoenberg and Debussy

Became Oliver Knussen Professor of Composition at the Academy in 2019

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