Olivia Chaney

Her second solo album, Shelter, released on Nonesuch Records in 2018 and made with New York-based producer Thomas Bartlett was met with critical acclaim, being called ‘a big, beautiful new record’ (Mojo, Albums of the Year ★★★★), ‘rare beauty’ (The Sunday Times) and ‘an elegant, luminous album’ (the Observer). Olivia is self-releasing an EP of covers and a full-length album of originals in 2023-24.

Born in Florence, Chaney grew up in Oxford, studying composition, piano and voice. Early influences include Bert Jansch, Mozart, medieval plainchant, Prince, Billie Holiday, Henry Purcell and Joni Mitchell. At 14, Chaney won a joint-first piano and voice scholarship to Chetham's School of Music, where she focused on classical repertoire. She then went on to attend the Royal Academy of Music, also on scholarship, where, as an improviser and songwriter, she spent much of her time experimenting and collaborating beyond boundaries of any one genre. On graduating, Chaney taught herself guitar and Indian harmonium, and began performing regularly as an eclectic soloist. She has worked as an actress and singer/multi-instrumentalist at Shakespeare's Globe theatre, been choreographed by Cathy Marston (former Associate Artist of the Royal Opera House) and her rendition of the French folk song, Auprès de ma blonde, was chosen for the closing credits of legendary director André Téchiné’s 2017 film, Nos années folles.

Chaney has performed around the world in venues and festivals including the Royal Albert Hall, Royal Festival Hall, Glastonbury Festival, Sydney Festival and Newport Folk Festival. She has collaborated with artists including Kronos Quartet, Bryce Dessner, Katia and Marielle Labèque, The Decemberists, Shirley Collins, Eliza Carthy and Jon Hopkins. She has sung support and live backing vocals for the likes of Sharon Van Etten, Bruce Hornsby, Jarvis Cocker, Robert Plant, Ben Folds, Patty Griffin and Richard Thompson.

Photo by Rich Gilligan