I Due Pulcinelli: how to rewrite a masterpiece
Researcher: Basil Alter
In 1925, Stravinsky published his Suite d'après des thèmes, fragments et morceaux de Giambattista Pergolesi, a violin and piano duet retelling of his runaway hit ‘Pulcinella’.
Yet, in 1932, he began rewriting the piece with violinist Samuel Dushkin, editing it down into what we now know as the Suite Italienne, a staple of modern 20th century violin repertory. This turned out to be a pivotal decision – most violinists today are unaware that the original 1925 version exists, while Suite Italienne continues to be a popular choice in the standard violin recital repertoire.
Whether or not we are able to answer the question of 'why' Stravinsky chose to rewrite, what we are left with is a rare opportunity to explore the 'how', and all the facets and implications of having a second go at a piece: from a compositional outlook, a performer’s perspective, a violinist’s hands, and an audience’s view. Through discussion of this rarely played masterpiece, a story emerges of how small changes can make or break a legacy.