Programme Details
Anna Stegmann director
Clara Hubbard, Rowena Jones and Anna Williams recorder
Sophia Mücke violin
Tess Roberts viol
Theodore Nisbett viol/tenor
Mihails Pranovičs harpsichord
TROMBONCINO Zephyro spira e 'l bel tempo rimena
CARA Per dolor mi bagno il viso
CAPRIOLI Sotto un verde e alto cupresso
GOMBERT Dezilde al cavaler que non se quelle
CABEZÓN Diferencias sobre el canto llano del caballero
DE RORE with diminutions by Girolamo dalla Casa Anchor che col partire
DE RORE with diminutions by Giovanni Bassano Anchor che col partire
GOMBERT Mort et fortune
PALESTRINA with diminutions by Francesco Rognoni Pulchra es amica mea
SANDRIN with diminutions by Anna Stegmann after Sylvestro Ganassi Doulce Memoire
CERTON Fini le bien (Reponce de “Doulce Memoire”)
WILLAERT Vecchi Letrose
TROMBONCINO with diminutions by Rowena Jones Ostinato vo' seguire
Inspired by Silvestro Ganassi dal Fontego’s vision of instruments as living voices, this programme explores the art of diminution in 16th-century Venice, where instrumental music was understood as a form of expressive speech. Vocal music by Bartolomeo Tromboncino, Marchetto Cara, Nicolas Gombert and Adrian Willaert is reimagined through improvised ornamentation, allowing the instruments to breathe, persuade and speak like the human voice.
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